Dyeing Silks for Custom Colors and Patterns

by Barbara Bechtel


Earlier this year, I took a eucalyptus dying class with Kim Mailhot at my favorite local studio, Art More Place. It turns out, that the green eucalyptus we see in floral arrangements and the favorite food of koala bears, when heated and steamed in dye bath turns a beautiful rusty color.

Here, you can see the beautiful rusty leaves and the impressions they left on the silk bags.

Another useful technique that Kim shared with us is that sari silk and other dyed silks can often used to add pops of color as well. When heated in a boiling steam bath, the dye transfers away leaving a beautiful watercolor effect to the formerly solid silks!

See those little lines? Those are made using tiny threads pulled from sari silk! On the left, you can see some faint lime green lines left from a piece of dyed green silk from Marsha Neal Studio.

I can see so many possibilities with this to customizing and dying your own silks for use, can't you?

Here are just a few of the silks that I dyed in my class!

In the same vein, recently I saw this tutorial floating around Pinterest and Facebook for dyeing easter eggs with old silk ties and that really got the wheels turning in my head because it essentially follows the same method that I learned with the sari silks!

These follow a similar approach! I can't wait to try this method with a silk to silk dye transfer!

Have you ever tried to dye your own fibers for your jewelry? I'd love to hear about your experience in the comments below!

Room for Discovery in Fibers and Weaving

Do you ever put so much pressure on yourself to work on a project, that it becomes a burden?

I tend to do that, and the project gets pushed to the side and forgotten.

Here is a quick pic of a stash of various silks and fibers I have been collecting over the years (I'm not about to throw that stuff out - it's good for "something" - that project in the back of my head).

 And these stringing materials - LOVE them and have lots!

Picking up some Tapestry needles at the sewing store - done that a couple of times...

So as a kid - I loved knotting, braiding, twisting, tying, weaving natural things...

I grew up in the 80's and my mom was big into cross-stitch (oh embroidery thread - how I adore you! Especially the Magenta and Peacock blue colors...)

So as a "grown up" I wanted to try some weaving.

While on a very restricted budget, and refusing to go out and spend any money unless I really knew this is something I want to do, I went to Pinterest to look up some weaving practices.

It's been a while, but I think I searched things like: loom weaving, handmade loom, weaving for kids, nature weaving, and such (you get sucked in and hours later - there are ideas everywhere).

So this cardboard loom - made with an old cereal box and masking tape worked for me and my allowance for self discovery.

First I Wrapped hemp around in the long direction 8 times (I think an even number is what you need to make it come out right) - the ends are just temporarily taped with masking tape on the back - nothing special.

I left a tail - just incase I need that for when I figure out what I will be doing with these (bracelets???)

Then over, under, over, under...

Back and forth.

Add on more - hide the ends in there.

Tie a knot on the last string at the end.

For me - this was completely experimental.

I wanted to see what happened with different fibers in the warp and weave positions.

And how are pattens made.

This just barely touches the iceberg - seriously...

And always - if you think you are going to work towards making something wearable, you should make sure to do a skin test to see if any of the materials will poke or scratch, and avoid using them if your weaving is to be wearable.

So now that I have fiddled with my small, cheap looms, I can see about getting something a bit more sturdy. And I get to see about finishing these - so check back for that post.

PS - I watched Jill Wiseman's DVD on Kumihimo with Beads - and the finishing the ends part has my brain thinking in terms of how to finish something like these. It also makes my bead making brain think - what kind of ceramic component can I make? But that is a whole other issue...

Textures, Color and Fibers

As a nature lover and ceramic artist, it is easy to say that I am inspired in my work to create textures often repeated by what I see in nature.

With Ceramics, it is usually in my hand carved texture plates (which I later use when bisque fired - hard and porous) that show the textures. I use those plates to press porcelain or stoneware clay into to create a reverse printed texture.

When it comes to using my ceramic pieces in finished jewelry, I tend to stall a bit.

This I believe is because there are so many possibilities, I have a hard time getting my brain to settle and focus on one technique (talk about ADHD!)

And I'm all about the quality, so I tend to work things through a few times before I come up with something I'm happy with (this bracelet below is still a work in progress).

 When it comes to colors, these Hand Painted Silks (painted by Ute of Silk Painting is Fun) that I have been carrying now for over 10 years, are an endless supply of inspiration.

Marsha Neal Studio presents Silky and Fairy Ribbons

Marsha Neal Studio presents 2mm Hand Painted Silks

 I love to pick through and make specific color palettes from the 80+ colors I carry (in three styles: Silky Ribbon, Fairy Ribbon, and 2mm round).

 And I am seriously delighted with every order that comes through because I get to see a bit into what you are picking out and are working with for your jewelry (or other) designing.

If you are interested in using these in your work to add color and texture, you can shop for these ribbons through my Etsy shop or my Marsha Neal Studio website.

Recently I have been fiddling more and more with Needle Felting Wool Roving and Locks (see SarafinaFiberArt for beautiful supplies). And luckily Sarafina Art House is about 25 minutes from my house/studio and I have picked up working there part-time, helping with orders, stock, and whatever they need me to jump in and do. Which is a whole other chapter opening up in my creative life - working outside of the home around other creative positive people helping run that business is SO what I need right now.

What kind of fibers are you into using?

And what techniques make you giddy?

Look for some posts on fibers (all kinds of fibers) coming up in the next couple of months as we get through the holidays and back to our creative time.