Thursday, April 11, 2013

A Beautiful Pendant Giveaway..... for you

or you, or you.....



This gorgeous pendant was graciously donated by Carol Dean Sharpe. To win this all that you need to do is visit Carol's blog or shop. Follow her blog if you do not already and let us know that you did. If you stop by her shop, let us know what caught your eye.

For additional entries, please be creative. Share this on your blog, Facebook, Pinterest, etc. If you decide you will share it on Twitter, please try to tweet more than once or share on others Twitter accounts. You can enter up to 3 times.

Also..... please leave a contact. I will not be able to let you know if you have won without one! Thanks!!

Check back often to see if you have won. The winner will be posted on the side bar.

As always, thank-you for supporting artists who create handmade with handmade,


MaryAnn





Wednesday, April 10, 2013

Metal Texture Reprise....



texturebootcamp

Thank you all so much for taking part in our Metal Texture Challenge for Art Jewelry Boot Camp!!! If you missed any of our posts and ideas, I thought today I'd share the posts all in one easy link for you to go back and see any you might have missed!

Also, the fun's not over yet! Over the next few weeks, we'll take a look at some of your designs and give you some more tips to keep the magic flowing in your studio! Don't forget, you can always add any new work or progress you've made to our Flickr group!

Metal Texture Challenge links


Barbara gives an overview of the challenge and some beginning tips: http://lovemyartjewelry.blogspot.com/2013/03/art-jewelry-boot-camp-textured-metal.html
Marsha gives texture insight from a ceramic perspective: http://lovemyartjewelry.blogspot.com/2013/03/texturing-ceramic-clay.html
Staci gives a tutorial on stamping with alphabet stamps to make texture: http://lovemyartjewelry.blogspot.com/2013/03/boot-camp-alpha-texture.html
Libby shares her sources for making textured beads and great tools: http://lovemyartjewelry.blogspot.com/2013/03/busy-busy.html
Kelli showing her ideas to destress using those hammers!: http://lovemyartjewelry.blogspot.com/2013/03/hammering-to-destress.html
Staci talks about metal gauges to hammer and texture: http://lovemyartjewelry.blogspot.com/2013/03/what-kind-of-metal-can-i-texture.html
Stacie Florer gives us a beautiful tutorial on texturing wire!: http://lovemyartjewelry.blogspot.com/2013/03/boot-camp-how-to-texturize-earring-wires.html
Barbara shows us how to make a bail from our hammered pieces: http://lovemyartjewelry.blogspot.com/2013/03/texturing-metalnow-what.html
Staci textures wire: http://lovemyartjewelry.blogspot.com/2013/03/textured-wire-sprial-donut-connector.html
Mary Ann gives us a wonderful more advanced technique: http://lovemyartjewelry.blogspot.com/2013/03/textured-earrings-tutorial.html
Mary Jane reminds us about our surface: http://lovemyartjewelry.blogspot.com/2013/04/texture-boot-camp.html
Kelli shows off her texturing finds: http://lovemyartjewelry.blogspot.com/2013/04/finding-texture.html

Sunday, April 7, 2013

Art Jewelry Boot Camp BLOG HOP: Textured Metal Challenge

Welcome to our 2nd Art Jewelry Boot Camp Blog Hop of 2013! This challenge is all about textured metals by hand! We want to see what textures have stolen your heart and the lovely things you've been making!

Link up to the textures blog hop by adding your blog below:





Now and Upcoming Events....

MaryAnn Carroll
Happy Sunday!

I'll start by offering this friendly reminder:

Please remember to check back tonight to link up for the LMAJ boot camp blog hop. Hopefully, you have shared some of your photos on Flickr.

The main LMAJ boot camp event, however, is to show off all of your creations on your blog, so stop back tonight or early tomorrow morning to link your blog up for hopping.

With that said, an event that has been going on all weekend is one the was started on Etsy by Marsha Neal of Marsha Neal Studio called the First Friday Art Walk (FFAW). It is a way to gather Etsy sellers together once a month. Maybe you will come across shops that you did not know were out there. Maybe you will come across some sales planned for this weekend. Maybe you will meet some new people. Who knows?

To find out more about what is going on and who might be involved in the Art Walk, just head over to Etsy and search key words such as  FFAW, AWET, FirstFridayArtWalk, etc.

There are also other ways to help you look around.....

Here are some samples of beautiful treasuries put together by members. I was able to create these sample treasuries by using treasurypin.com.

To see more of individual treasuries, click on the link under the picture.


--Pinned with TreasuryPin.com

Treasury 1


--Pinned with TreasuryPin.com

Treasury 2


--Pinned with TreasuryPin.com

Treasury 3

 
--Pinned with TreasuryPin.com

Treasury 4


 ....treasury of members art work on Etsy....

Treasury 5 


Have fun..... Remember, today is the final day of this weekend's First Friday Art Walk.

As always, thank-you for supporting those who create handmade with handmade.

MaryAnn

Friday, April 5, 2013

Finding texture

                                                                                                              by Kelli Pope

I have been so intrigued with our current Boot Camp, and all the creativity from the other artists.  It has had me searching around my house for things I can hammer, and not destroy. (not everything has survived!)  I created curlicues from thick inexpensive wire I found, which was holding a large coil of brass wire together in my studio......

....screen, mesh, nails, bricks.........there are lots of ignored objects, that are now catching my eye.  

I really expected very little from this simple steel pegboard hook, but look at this great pattern!  
    I heated the copper disc to the color I wanted,  quenched it, and just started pounding .  
         What strange things are you using to create texture?

Thursday, April 4, 2013

Pricing your work....

MaryAnn Carroll
There's nothing like a good re-run once in awhile. This post is a couple of years old, but the dilemma is still current. How do you determine prices?

Wow, that is expensive!!! I would guess that this is a reaction that you have probably heard, whether mumbled to their friend or made directly to you.

Well.... I say...

"You get what you pay for!"

After my most recent glaze firing, I was once again faced with the dilemma of pricing.  I try to be fair, but also, I put a lot of time into my work to make a high quality product, so I'm not going to give them away.  What I do is this... I base my prices on the amount of time that I put into each bead.  Beads that are basic rounds with one glaze take the least amount of time so they are the least expensive.  If a round bead, however, is large, then it takes up more room in the kiln which means fewer beads in that firing (beads cannot touch each other during a glaze firing).  In that case, that bead would be priced higher do to that fact.


Then, we have the beads above which were created from porcelain clay at the same time.  They are basically the same size (I don't measure while making beads) and both glazed.  The beads on the right cost more than the beads on the left.  Although you might think that the beads on the left look like they have two glazes, they don't.  They have one glaze that "breaks" on the edge of a ceramic piece.  This simply means that while the glaze is melting in the kiln, certain areas will puddle in greater amounts and edges, bumps, etc. will not.  Both very cool.....  but the time invested was different.


And then we have these expensive little babies that you see above.  Well....I LOVE the look (picture doesn't do them justice, but the time invested far exceeds that of some of my other beads.... 


And they all came out of this little kiln shown above.  This is a doll kiln, which is perfect for the amount that I am able to create at one time.


I also own these ceramic beads above.  I believe that they are manufactured in China.  While there is nothing wrong with them and some do have some of the same effects as my handmade, they were most likely produced in a factory, which is why the price is considerably lower than handmade ceramic beads.


Those, most likely, came from a kiln such as the one above.

So.... I hope that you learned a little more about why those of us who create handmade might need to charge more......

Like they sometimes say, "Wow!!  That is expensive!!"

I say.......

"Yup! You get what you pay for."

To see a funny little video about pricing at shows, click HERE for one of Patty's posts.


Questions I would like you to think about:

If you do not depend on your main income coming from your creations, do you think about others who do when pricing?

Do you check out your competitors to make sure your prices are in line with most of them?

Have you thought you were getting a great deal on something that looked similar to a higher priced item and turned out that when you got it, it was junk?

Please weigh in with your thoughts about pricing.....

As always, thank you for supporting artists who create handmade with handmade....

MaryAnn




Wednesday, April 3, 2013

DIY Trendsetting: Leather Tassels








by Barbara Bechtel

Tassels are all around these days in jewelry trends.....Around last fall, I began making my leather tassels and today, I'm going to show you how!



My tassels are made of reclaimed leather, but after you try this easy technique, you'll see it's easily applicable to fabric or a vegan option like pleather or ultrasuede!

Product note: While you can purchase leather sheet from craft stores, I encourage you to source your local upholstery shop for leather scraps or purchase some leather that is reclaimed. My leather comes from Modern Fabrics, where I buy my leather. It is reclaimed leather from the furniture industry and this company purchases and resells it as it would otherwise end up in a landfill. For $20, you can get a whole box full that will last you for years making tassels and other things! Please note, you want the remnants...the other leather listed on their site is for full hides so that link is the one you want.

Supply List:
* Pieces of leather (about 2-3" x 3-4" pieces) They will be different sizes but depending on the thickness of your leather and the size/length of your finished piece, you'll want to gather a bunch of rectangles to play around! Start larger and work your way smaller as you gain confidence.
 
*extra tiny leather rectangles (about 3/8" x 1 1/2") for embellishing and making a loop.

* strong glue. (I use E6000) Make sure your glue is labeled to glue leather. This is a great reference for glue. I would not use a tacky or fabric glue as it will not hold.

*Sharp Shears (use a dedicated pair of long, sharp fabric shears) They will make nice, long straight cuts that will give you the nice fringe you're looking for here!

*metal ruler

*sharpie or marking pen

*wooden clothespins or clips (to hold your tassel while it dries)

*optional: waxed thread or linen and beads for embellishing.



I made this really high-tech diagram for you to see how you'll be cutting your fringe ;0)....You can mark all these lines with a marking pen if you're nervous. NOTE: The heavy black line above the dotted lines is for reference. You're not cutting this line. Normally, the dotted lines I freehand cut and the solid line I mark as a guide to make sure the fringe is even....but once you get the hang of it, you won't need to mark much.....

 Cut your fringe like above. Don't use tiny scissors! You want long SHARP fabric shears to make nice straight cuts.

This is the small tab rectangle you'll use to make the loop and will also form the core of your tassel. Fold this in half, securing it with a dot of glue at the base.

Place your loop at one end of the fringe, add glue and fold over. Draw a line of glue along the top edge and begin folding, taking care to keep the fringe, straight, tight, and even along the top.

Keep folding and adding glue and rolling....eh? starting to look very tassel-y.....

Once you reach the end, secure with a clothespin and let dry for several hours.

Practice making a bunch because it's fun and addictive!!!! Once dry, you can add another small rectangle around the outside of the top to add interest and a little extra security (as in the finished picture of my necklace above) or add a little strand of waxed linen (as in the grey tassel above).....




If you don't like to use leather, consider trying this with fabric, faux leather, or ultrasuede!

Let me know if you have any questions in the comments below! Enjoy!





Tuesday, April 2, 2013

Hello, my name is a Carol Dean Sharpe and I'm addicted to beads.

As the newest Love My Art Jewelry member, I guess I should introduce myself.  I'm Carol Dean Sharpe, also known as Sand Fibers in certain circles.  I'm a seed beader and thus surprised (yet absolutely delighted) to find myself here.

While I am probably best known for my peyote cuffs and patterns, few things bring me as much pleasure as working with gorgeous components that other artists have created.  Here are just a few samples of how I try to incorporate bead art into my bead woven pieces.



Rumor has it that I get to post to this blog twice a month. What I hope to do with these posts, beginning with my post on April 23rd is to share new creations with you, including some process photos.  I'll show you how I work with someone else's components as well as how I use bead weaving to create my own components.  The first thing I have scheduled for us to work on is a simple (peyote) beaded bead to add to strung pieces or use as a focal in an easy "add a bead" project,


so please be sure to come back on the 23rd.  Thank you!

 

Monday, April 1, 2013

texture boot camp -

mary jane dodd

piece of railroad track purchased at a flea market

this edition of texture boot camp is brought to you by a lipstick chicken, you know, a person who doesn't like to wear lipstick that looks like you are wearing lipstick (and so why struggle to find that perfect color at all, right?)... this aesthetic carries over into my work... as an admirer of the subtle i would like to show you how i add texture to my metal...

i find texture on things - like this old railroad tie... i was told how i could clean up the face - but why would i do that?

small bench top anvil

this anvil's finish did not hold up over time - but if you put metal on it and hammer, when you turn it over, you will find a lovely texture that is picked up by liver of sulphur or other patina...

with a pitted surface

did you ever mar the surface of a hammer? unknowingly, like before you learned that a brass head is better suited for striking metal design stamps? i did - and now i have a head that creates texture similar to the raw silk texture hammer...

'marred' hammer face

and finally i wanted to show you how i used patterned brass sheet - no rolling mill required!


tape the metal you are working with to the patterned sheet , hammer all over the surface evenly and...


viola!

my apologies on not having pieces finished with the patina to show the contrast - this was my first time down to the bench in almost 3 months and i don't have everything set up... 


Sunday, March 31, 2013

Boot Camp Features....

Good Morning.... I'm sure that many of you are celebrating Easter. Happy Easter to you.

I would like to share some pictures that have been shared on our Flickr Boot Camp site. These two lovely selections were created by Lynda Carson from Fresh Baked Designs.

While checking out more of Lynda's work, I found a connection to her blog. Yesterday's post, I think, said it all. Please take a moment to learn more about Lynda by clicking HERE.

Thank-you, Lynda, for sharing what you created for LMAJ Boot Camp.

Chiseled Hoops

Textured pendant necklace

Please continue to share your textured metal creations. The blog hop sharing will happen on April 8th. Also, please remember that the Boot Camp Flickr account is for those of you who have created something specifically for boot camp. Although, it would be nice to share everyone's beautiful designs, we would like this to be specific to those creations created for this challenge only.

As for Lynda, you can find more about her here:

http://freshbakedjewelry.etsy.com

http://freshbakeddesigns.wordpress.com

As always, thank-you for supporting artists who create handmade with handmade.

MaryAnn

Saturday, March 30, 2013

The Bead Soup Blog Party

by staci louise smith

Every year, Lori Anderson of Pretty Things hosts the Bead Soup Blog party.  It is a creative and social whirlwind of beads, jewelry and artists.  Lori created the Bead Soup Blog Party for a few reason, one, to swap beads with someone who has a different style from you, so that you can be challenged to create with beads you may not normally choose for yourself.  Another reason, is to give artists a nudge to branch out socially, to try blogging, to meet new people, and of course, to plain old have a great time.  If you want to read more about it, here is a link to Lori's bead soup page.
 
So, the beads have been swapped, the jewelry has been made, and today is the first Reveal Date- blog hop.  Grab your tiara(cause this here is girl time) and a cup of coffee or tea, and enjoy the eye candy that is the Bead Soup Blog Hop.

photo by Lori Anderson- property of Lori Anderson

I participated in this round.  So you can get the list of links here www.stacilouiseoriginals.com .
 
Here is some of the "soup" I recieved this year from Emily Greer of Gaia Copia. 
 
 
She sent me lots of fun beads, but you only need to use the focal and clasp.  Again, hop over to my blog if you want to see what I created with these guys!
 
I am also offering a special discount in my shops this week in honor of the Bead Soup blog Party. 
 
Use code beadsouprocks13 in either shop to save:
 
give you a 25% discount in my jewlery shop
 
gives you a 10% discount in my bead shop
 
Have a great day, and have fun hopping !
 
 



Friday, March 29, 2013

Textured Earrings Tutorial

I wanted to put together a little tutorial using some metal chain that I had purchased from a garage sale last year.While looking around the house for something to use for texture, I came across it and wondered if the hoops would be hard enough to create texture with. It was. I probably should have annealed the 3/4" disc first, but didn't. As you can see, you can still texture without annealing; it just takes more work.

I hope you like them.....

Materials: 3/4" discs, 18 gauge wire (for jump rings), 24 gauge wire, ear wires, metal hoop (could be done without this), center punch, marker, hammer, bowl for water, torch, mandrel (disc could be held with pliers), hammering block, 1/4" tube, tube cutter (optional), 2 small beads.

1. Set your disc on the hammering block. Center the metal hoop.


2. Watching out for your fingers, gently hammer an indentation into the metal disc.


3. Punch one hole on the indentation.


4. Using the hole as your guide, make marks at 6 o'clock, 3 o'clock and 9 o'clock.


5. Continue to fill in the additional placements that you would see on an analog clock. Using your punch, lightly tap on each mark 4-5 times.


6. This is how it will look.


7. Turning punched side away, heat the disc with your torch.


8. Set orange hot disc in cold water. This step is personal preference. You can play around with how to get different colors. I'm not a pink kinda gal, so I kept experimenting until I got a color that I liked. As you can see, if you get it hot enough, adding the discs to cold water adds additional texture.


9. Having already cut your tube to 1/4" pieces (jump rings can be used instead), hammer them lightly until flattened.


10. Using premade 18 ga. jump rings, slide through disc and hammered tube.


11. Using 18 ga wire, make small hoop, slide through hammered tube and slide small bead on. Create hoop on top of bead.


12. Using 24 ga, wire, wrap hoops made on top and bottom of bead.


13. For the last step, I chose to experiment with Stacie's tutorial on adding texture to ear wire. I discovered that I still need a little practice with this. Also, darkening is optional. I used liver of sulfur for my final step to patina.

There you have it.... light weight and fun to wear.


As always, thank-you for supporting artists who create handmade with handmade.

MaryAnn