mary jane dodd
piece of railroad track purchased at a flea market
this edition of texture boot camp is brought to you by a lipstick chicken, you know, a person who doesn't like to wear lipstick that looks like you are wearing lipstick (and so why struggle to find that perfect color at all, right?)... this aesthetic carries over into my work... as an admirer of the subtle i would like to show you how i add texture to my metal...
i find texture on things - like this old railroad tie... i was told how i could clean up the face - but why would i do that?
small bench top anvil
this anvil's finish did not hold up over time - but if you put metal on it and hammer, when you turn it over, you will find a lovely texture that is picked up by liver of sulphur or other patina...
with a pitted surface
did you ever mar the surface of a hammer? unknowingly, like before you learned that a brass head is better suited for striking metal design stamps? i did - and now i have a head that creates texture similar to the raw silk texture hammer...
'marred' hammer face
and finally i wanted to show you how i used patterned brass sheet - no rolling mill required!
tape the metal you are working with to the patterned sheet , hammer all over the surface evenly and...
viola!
my apologies on not having pieces finished with the patina to show the contrast - this was my first time down to the bench in almost 3 months and i don't have everything set up...
